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About 1nejack

Electronic musician/producer and DJ from Manchester.

Purity Ring – Shrines

Despite a distinct lack of guitars and long hair, Purity Ring are being touted for one of the best new bands this year. If anybody caught on to ‘Lofticries’ and ‘Obedear’ in April they will have just a small idea of what to expect from this long awaited debut album. Fans of SBTRKT and Jakwob will love this for the musical synth driven beats, fans of Little Dragon for the beautifully shaded vocals which take us on a thought provoking journey through euphoric electro vibes. Definitely worth copping when it drops on the 24th.

Preview the rest of the tracks over at npr. Pre-order on iTunes here. Facebook here.

Transmit Sessions Volume VIII | Peaman & Hicha

Coming from the musical melting pot that is the city of Bristol our first B2B on the Transmit Sessions is mixed by Peaman & Hicha – producers from the Subslags camp.

Over the course of 30 minutes homage is paid to the roots of Dubstep as well as stepping into new bass music territory. We are introduced to the sounds that bring their diverse styles together, featuring Mala, Clouds, Lorca & Throwing Snow.

They also took time out to tell us all about the Bristol music scene, The Subslags music collective and their plans for future world domination.

Give us some insight into the names you have chosen for yourselves – How did they come about?

Hicha: It sounded nice and i saw it on the back of a rice box it’s actually true.

Pea: I’m mixed race and my brother and sisters all have light skin so when i was born my mum thought i looked like a little indian man so she nicknamed me Mr. Patel which then got shortened to Mr. P, then P man etc.

You come under the Subslags collective. Tell us about them, who are they and what do they represent?

Pea: Subslags is fundamentally a group of people I grew up making bass music with who are still working together today. It’s made up of various DJ’s Producers and MC’s currently working in Bristol and London. Hicha joined later and brought a new dynamic to the group in terms of his more experimental sound.

Peaman comes from a Grime and Dubstep template, Hicha with a more experimental and ambient soundscape. How did you two end up working and mixing together? Do you have any projects planned for the future?

Pea: We knew each other through the group and decided to collaborate. We have a few tracks in the making and are in the process of setting up a small Vinyl based label here in Bristol called Obsidian records. watch this space!

Bristol obviously has a rich musical heritage with artists like Pinch and Phaeleh and more recently Kahn making big waves in the wider scene. Nowadays it seems everyone in Bristol is DJ’ing or producing on some level. With such a busy scene does it become harder to make an impression? What are the pro’s and cons?

Hicha: I don’t know if its a harder scene to make an impression in as I don’t have any experience of other scenes, however it is very busy and exciting to be part of and living in this city has a huge influence on my music. Its quite a small city so I think its easy to meet people its also a very diverse city, musically and culturally. I feel theres no real formula and this allows me to do what I want to do, I don’t feel restricted and I can just do my own thing and still get recognition for it.

Pea: I’ve been raised in the Bristol music scene and draw a heavy influence from the city’s cultural history and it’s significance in the emergence of ‘bass music’ culture which is now a global phenomenon. Smith & Mighty and Massive attack paved the way for all the guys my generation now look up to including Peverelist, Guido, and all the people at the frontline of Bristols sound system movement. With so many influential people making moves it’s no wonder there are so many youngers stepping up and trying to blow the clubs up with their own sound. I just reckon its a great thing to be a part of aside from all the competition.

What’s your game plan for a debut release? We know a lot of artists are deciding to release their own material. Are you eyeing up labels or do you think independent is best?

Currently our only plans for a release will be through our label Obsidian but we are both aspiring to release all over the city. The independent record label is something we are both passionate about so it only seems right that we run our own. There’s a number of seriously under rated artists making brilliant stuff in Bristol and beyond, who we feel deserve a platform on which they can stand to help them reach a wider audience.

Finally, what’s the largest animal you could collectively throw over a crossbar?

Probably a German Shepard.

They Always Come Back – Submerse | Apollo Records

A couple of years ago Submerse was based in Leeds putting out strictly 4×4 and 2step tunes. This recent EP is part of a promising new phase for this young producer who now resides in his adopted spiritual homeland of Japan.

Starting with ‘8-bit Romance’ the tone is set for synthesised percussion, glitched synths and smudged out 8 bit chirps. From there we break into the Juke vibes of ‘They Always Come Back’ which features trademark processed vocals over a futuristic drum track with the occasional suggestion of an amens shuffle. This vibe continues in the same vein on ‘Give It Up’. The head nodding vibe of the opener is what we are left with on the final track ‘Cluster’ – a marvellously ambient piece of trip hop.

Available now on Juno – Look out for the Tears EP as well, currently only available on vinyl but well worth the pennies. Enjoy.

Shift Key – Left & Right EP | Bullet Train Records

On our show we are all about pushing the sounds that are making a difference – It makes us happy when we find music that is harder to categorise. That’s the blueprint of this latest 5 track wonder from Shift Key. To best explain what his new EP is all about, here is the man himself:

The tracks all have a hybrid feel to them – In ‘Low’ haunting pitched vocal samples and trap beats eventually give way to an epic Dubstep breakdown. There are commercial boxes ticked with the vocal intro of ‘Close’ and the sound of Shift Key‘s own voice singing on ‘Left & Right’. Tear out synths and syncopated percussion ensure that the stadium sound is ever present and these tracks will no doubt do well at the festivals this summer. Available to buy now on Beatport. Preview all 5 tracks right here.

Robot Bodypop 26.06.12

artwork by Exit Man

This week Killian opens up with a merciless selection of subterranean dubplates to pound out of your subs until your ears cry black. His set features dark cuts from DubtekBiome, Benny Page and Swindle.

1nejack comes in with an arsenal of sound big enough to kick off the next cold war showcasing bangers from Suck Fake, Hostage, Kahn, Clueless to name a few.

A new feature this week is The Survivor. Each fortnight we will pick the cut that makes it to the next show. The aim is to survive in our playlist for as long as possible, so only perfection will make the grade. The levels are high and competition is dirty so stragglers should expect no mercy.

This week it’s Totally Enormous Extinct Dinosaurs with their insanely unpredictable Future Garage riddim ‘Closer’ beating off all contenders. The intense bass line and crispy drums had us peaking last week. T.E.E.D. has the top spot for now, but will he still be here next fortnight? Only one way to find out – let’s bring it on.

KILLIAN

Cerebral – Dubtek
Uneasy – ARP XP
Transmission – Ghost Note
Uprise – Djunya
The Burial (ft. MC Spyda) – Benny Page
Kemistry (Justin Martin Remake) – Goldie
Mainstream – LeAp
Pluie d’été – Opti & Everydayz
Inside – Antics
Cardinal – Biome
Do The Jazz – Swindle

1NEJACK

Twilight Horizons – Seven
Bla – Suck Fake
Tunnels – Hostage
What Matters – Hackman & Bluto
Play It (Gremino Remix) – Voltron
Angeles – Kahn
Closer – Totally Enormous Extinct Dinosaurs
Dirty Angel – Clueless
We At War – Enigma Dubz
Sleight Of Hand (Flugelhorn Riddim) – Whyrez
Alliance – Congi
Babylon War – Babylon System & Truth
Thinking We Still – REKchampa
117 Careplan – Henry Wu

Clueless – Griswald House EP | Frisjo Beats

We opened up our ongoing Transmit Series with a wicked mix from Clueless back in March. There’s been a break in releases from this prolific Norwegian producer, but he’s back in force with this 3 track powerhouse coming soon on the Frisjo Beats label.

Opening with the insistent percussion on ‘Build’ we cruise into chilled out summer garage vibes. Progressively deep with splashes of vocal samples, we are nicely led into the summer party feel of ‘Dirty Angel’, another 2-step roller.

Rounding off with the skippy drums and  frenetic vocal engineering in title track ‘Griswald House’ this completes another addition to an amazing month of releases.

Grab an exclusive on Juno before its official release on June 25th.