In anticipation of the forthcoming ‘I Don’t Usually Like MC’s But…’ long player from DRS, Soul:R label boss Marcus Intalex teams up with the mic-man himself with a stunning mix featuring cuts from the album. An exclusive to the DataTransmission collective, its a showcase of talents from both DRS and the producers. The LP is set to drop at the album launch party at the ‘Bunch Of Cuts’ night on the 25th August where DRS will feature alongside Marcus Intalex, Dub Phizix, Calibre, dBridge and S.P.Y amongst others. A truly mouth watering line up which serves this release justice. Tune into the mix to see what all the hype is about.
I first met DRS skateboarding in Manchester. Albert Square was a plaza for wheeled talent and Del used to drop by with Matt Harfield. This was back in the 90’s and I still remember being shocked that this friendly and humble guy was also the voice of LTJ Bukems Progression Sessions alongside Conrad. Fast forward a decade and more and DRS has firmly rooted himself within Manchester’s history. Del is a musician, producer, MC & illustrator and his new long player ‘I don’t usually like MC’s but…’ is about to drop and from a punters point of view it’s one of the most anticipated releases of the year. As well as his hard work with Broke ‘N’ English and the Estate Recordings camp, DRS has managed to put together an album which both himself and his peers are incredibly proud of. The debut single ‘Count To Ten’ ft. Enei is making serious waves most notably since Kasra featured it on his Fabric Live release.
A testament to the albums quality is it’s release on Marcus Intalex’s Soul:R label. ‘Count To Ten’ with ‘Holding On’ featuring Jehst, Lenzman and Riya on the flip is out to buy on 23rd July at any retailer worth its salt.
DRS talks about the forthcoming single:
A. Count to Ten
“This is the second of a trilogy of tunes me Alex (Enei) and Kasra have put
together. Its a play on the count to ten technique used to hold down a bad
temper, which not a lot of people know I do have. I manage to tame it most of the
time but people who are close to me have seen its very ugly face! This tunes
about how I feel before I lose control!! I am not glamourising this in anyway, but
a heavyweight tune came out of telling the tale. Its the part of my character I’m
most ashamed of. If my music is anything its honest.”
AA. Holding On
“This is the first of the two Lenzman collabs. Another sumer roller, driven by a
hip hop piano. It reminded of some old UK hip hop sample, thats what gave me
the idea to get my mate Jehst on this riddim (making his dnb debut). I put my
verse down first, an insight into the actual logistic of life on the road and the
bullshit that comes with it. Jehst followed suit. and desecrated the tune. While
he was recording his verse I came up with the hook. I put it down and we sent it
to Lenzman. He suggested getting Riya to sing along with my hook! oof! that was
the icing on the cake. Bleak,but at the same time feel good. some how??
Bag the single and prepare for the LP and in the meantime you can roll through Del’s influences via the Youtube playlist below. Hardly surprising that its full of warm harmonies and pinnacle tracks.
Clearly a man who understands his music and is right on the cutting edge of whats new, DRS is making himself a ridiculously hard act to follow. Inspirational and aspiring are two words that spring to mind. People have tried to tell me that Manchester is stuck in the past & trying to hold onto the music that made the City famous. It’s people like DRS that give us ammunition in countering those ridiculous arguments.
Following on from Broke’N’English’s recent Umbro bursary, their versatile imprint Estate Recordings is back in business. Luckily for you, us and any other fan of upfront music, their first release is Mancunian wordsmith Skittles newest cut. Out on the 7th November, Dot2Dot is already on Radio 1 rotation and gaining airplay from Mary Anne Hobbs amongst others. Put simply, its a banger and with the release featuring remixes from Zed Bias, Dub Phizix and Joe Kalius its as fresh as you can get. Beats and lyrics come as good as it gets. Essential listening.