Reggae Roast – RR10

The 10th release on the vibrant UK reggae label sees ‘Show Babylon’ by Linval Thompson given the remix treatment. This collective thrives on providing uplifting vibes either in the series of releases or live at any number of festivals. This 4 track sees Dutch bassweight specialist TMSV on remixing duties alongside 3 dub and version cuts of this mighty track. Featured on this weeks Robot Bodypop show its yet another addition to a fine back catalogue and we’re already excited to see what comes out of release 11.

Hopefully you can catch Reggae Roast this summer as the 3 piece soundsystem takes to the road. Check out their website for more info

http://www.reggaeroast.co.uk

Tape Dubbing Records – Underground Manifest

Ukranian netlabel Tape Dubbing Records shines with their second volume of the Underground Manifest series. Showcasing some of Eastern Europes freshest talent this 22 track LP blends 2-step, dubstep, breakbeat and much more and it’s the quality of the productions that really hits you on the first listen. An incredible collection of indie bass music Tape Dubbing Records is throwing out there for free with artists such as Systemik, King Imagine and Choo New alongside a stack more. Be a good guy and give them some ca$h. Cop a copy from their Bandcamp page. Big fans of the Zaika cut, Sheeboo. Large.

Tape Dubbing Records

Transmit Sessions Vol 6 | Vaomm

Keeping with the summer vibe we’ve got going on this week, Siberian DJ and producer Vaomm takes a moment to talk to the Robot Bodypop and mixes up a 40 minute wonder filled with beats that are making him and his fellow Russians skank harder than the Kalinka.

Russia seems to be flourishing with some great producers. What do you think has influenced them into making underground bass music?

Ooh, I don’t know for sure, of course, this question is really personal, and I can just assume the main reasons or influences. From one hand, it can be kind of fashion, trend, of smth like that, cause all modern electronic music came from UK, and it can be “cool” to do stuff like they do. But, from the other side, it can be just a “call of soul”, if you know what I mean, and, I guess, there are more producers from the second variant, than from the first.

When making music, do you have an idea of what you want to make or do you go with the flow and see where you end up?

Mmm, sometimes I have an outlined concept in my mind, and simply try to take it out from my head to waveforms. Sometimes I have only an idea about melody, percussion or bassline, and build all parts of the composition on the basis of one part. But cause of my hard study in university, unfortunately, I have a little time for music, but I have lots of concepts, thoughts, ideas, hope to make them all soon.

What have your influences been, musically and otherwise?

Difficult question. You know, I’ve been listening to hip-hop for many years, and my favourite hip-hop groups and artists are Dilated Peoples (especially Evidence), Gang Starr, Tech N9ne (all Strange music label), Royce da 5’9”, and others. Sampling funk and jazz and soul…that makes a profound influence on me. Later, I’ve started to allocate bass and drums, these things lead me to dubstep sound with dark dirty vibes, like Skream, Kromestar, Silkie, and Deep Medi label. Here comes UK bass scene.
As for my music, I’m trying to catch everything I feel, see, hear and can pass through myself, that’s all 🙂

We like to keep the selection diverse on the Robot Bodypop show. How important do you think it is for people to try new things and create new sounds?

When you create something, you grow up and develop yourself. It doesn’t matter if it’s music, paintings, science or anything else. Creation is a movement, and movement is the most important thing in the life, I think.

Do you keep in close contact with your followers either at gigs or through social media?

Hahah, i’m open to everyone, but I want to say, that my parents, two cats, one dog, and a couple of friends, and that’s all, when I talk about my followers and it’s not so difficult to keep in close contact with them. 🙂

Tell us about the scene you’re involved in and how it works

So, i’m from Novosibirsk, it’s the city, which is called “The capital of Syberia”. Although, it has 1,5 mln population, there is a very weak bass scene here, bass producers can be counted on the fingers of one hand, I can allocate Pixelord (althouth he lives in Moscow, his roots come from my city), Melamin (Dubline Records), and, unfortunately, I can’t remember anyone else, except a couple of guys djs, who plays bass music during rare specific parties here, surely, most often it’s mainstream dubstep/dnb sound, but sometimes there are exceptions! Also, recently we’ve made some kind of community called NBD (nobody) Collective. It consists of me, Elmah and MO’ STRBLGHTZ, who presented me an exclusive dubplate, which I’ve put in my mix for your show.

Do you have an idea for a dream collaboration?

Of course! It will be great to collab with Swarms, Clubroot, Burial, Phaeleh, Synkro and others and others, but, it’s only dream 😉

Nice. Some of our favourite producers there.

Whats your favourite song in your collection and why?

There are lots of them in different genres, but at this moment, when i’m answering this question, the track, which I prefer to listen again and again, is Clubroot – Waterways, because of its deep, highly atmospheric and very melancholic sound.

Tell me about the best night you’ve played at and what made it memorable?

It was november 2011, I was one of the promoters of these party, it was called: “Bass to ya face, London!”, and all night there are a lot of djs playin the music from Britain streets like breaks, jungle, dubstep, etc. It was awesome, and there are many people, many happy smiles and good mood.

Whats the biggest animal you can throw over a crossbar?

What?…maybe my dog, lol

 

Transmit Sessions Vol 5 | REKchampa

ON THIS WEEK’S SHOW:

Imagine a sound comprised from the various elements of US Hip Hop and UK bass music – a hybrid unlike anything heard before yet one which sounds uncannily familiar. Well you need imagine no longer as that is what Stefan Ringer aka REKchampa delivers. His excellent debut album ‘Pocket The Rest’ is out now on San Francisco based Two Circles Records and he has a number of tunes knocking about on  a name your price basis which you really ought to take a listen to.

He is part of an emerging underground scene in the Atlanta area alongside artists such as P VillaTime Wharp, heRobust, Ethereal and Divine Interface. These up and coming artists represent a brand new direction for bass music that people are gradually paying more and more attention to, and whilst the big money currently flows elsewhere this fledgeling scene comes from strong foundations and will continue to grow.

REKchampa kindly took time out to talk to us; Here is what he had to say.

We can definitely hear UK garage influences in your music as well as home-grown hip hop vibes. Which artists from these scenes did you listen to as you came up? Is there anybody in particular you would like to pay homage to for influencing your style?

I enjoyed listening to Timbaland when I was younger..the tracks he made back then are some of my favorites. as I got older I started going into electronic genres..I really enjoyed listening to jungle.. Remark, Ray Keith, Tom and Jerry, ShyFx..

Nice! We are pleased to see that your mix is made up entirely of your own tracks. Is this your blueprint for playing out? What kind of venues have you played to so far and where did you get the best reception?

When asked, I’ll get together an ableton set and play out that way.. But I get a few dj’ing gigs around the city.. Ive played at mostly bars, lounges, medium-sized venues… I like this spot in East Atlanta called 529 they play many different styles of music.. I played there my first time ever doing an ableton set performance… The place was smaller at that time but the crowd was there.. Everyone seemed to be really feeling the set.. The vibe was dope.. All love..

We’ve seen you say that you are trying to get out of the habit of using vocal samples in your beats. Will you produce purely instrumental tracks from now on or are there any vocalists you are planning to write songs with?

I’d say that right now, I am still trying to get away from using vocal samples. I’ve been recording my own voice a bit recently. I have made a few tracks that are purely instrumental. I wouldn’t mind working with a vocalist. I have before.. I would want the vocalist to be experienced in writing lyrics.

We would love to host a show for you here in Manchester. Are there any long term plans to tour in the UK?

I would definitely like to do that..But I would have no idea of how to get something like that together.. I’m novice to touring and things of that nature..I would love to come out there though..

We’ll see what we can do.. Finally, what’s the largest animal you can throw over a crossbar?

Tasmanian tiger.

We would like to thank you for this incredible mix, and we wish you great success for the future!

TRANSMIT V, LAUNCH!

http://soundcloud.com/rekchampa
http://rekchampa.bandcamp.com
http://twitter.com/rekchampa
http://facebook.com/pages/REKchampa

Transmit Sessions Vol 4 | N. Killah and NRealm Recs

ON THIS WEEK’S SHOW:

With the Transmit Sessions we’re trying to get people to represent their individual sounds and vibes be it through music they make or put out there for others through imprints and releases. Russia’s N.Killah keeps it all in house. Both D.J. and producer he also founded and runs the mighty N.Realm Recs label. The label is dedicated to, in his own words, ‘true dubstep’.

Keeping to the deep vibes but not scared to experiment, the label has already stacked up an impressive release roster with plenty more to come throughout 2012. The most recent release is N.Killahs impressive ‘The End’ E.P

On top of all this, N.Killah also manages to find time to put out the 4VIVBES podcast which is packed full of plenty of bass music featuring some of the labels other artists. The most recent show sees Forensics in the mix with a serious selection of tracks from all corners.

4VIBES Podcast>

N.Killah kindly took a minute to talk to us:

1. how did N:realm recordings come to be? have you always wanted to run your own label?

N;realm has been created absolutely spontaneously. First I released two of my own tracks. Then my friends have supported me and gave their tracks for free.

2. You appear to be very proud of what you’re building with N.Realm Recs. Tell me about the dubstep scene in Russia

The stage exists. There is a lot of awsome artists, various podcasts, radio shows…
But much less fans of true dubstep. 80 percent of dubstep people likes Skrillex
and think that this is a gold standard of fat sound.

3. Social networking means its easier to build a more personal relationship with followers of your music. How important is it for you to keep in close contact with fans of your music?

I always keep in it. For example in time of tour after each set I always buy some beers and buzz with “mortals” I always answer on messages in social networks.

4. whats your favourite track on your label?

Hard to make a choice ’cause I like everyone. But leaders is:
1 Roofout – Best Spring
2 Crispo – Moments
3 N.Killah – Maybe

5. what producers should we look out for?

N’Killah! No kidding is Faib, Pixelord, Roofout, Crispo (CRSP), Reixtra.

6. whats your favourite track in your record collection and why?

Tes La Rok – Cold Blooded – I never get tired of that track!

7. what are your influences?

Everything around… Music, movies, videogames, smoke

8. Do you think its important for producers to try new things musically?

To do something new is important in any deed. Progress is our life!

9. When are you bringing Robot Bodypop to Russia?

When russian people stop sacrifice their kids in the name of Skrillex.
But I told about RBP to my fans and friends.

10. Whats the biggest animal you can throw over a crossbar?

Dog Sony ERS-7W AIBO ))

http://www.digital-tunes.net/labels/nrealm_recordings?per_page=10

Transmit 4, incoming!

www.soundcloud.com/nkillah

Transmit Sessions Volume 3 | Controlled Kaos

ON THIS WEEKS SHOW:

This weeks transmission originates from way across the atlantic in the suburb of Chesterfield, Virginia deep inside the big ole US of A. Whilst yet to gain widespread recognition Controlled Kaos attention to detail and high workrate marks him out as one to watch in 2012.

Big on the drums and atmosphere, his tight sub weighted productions have featured on numerous free releases as well as the ‘Timelapse’ LP on the Dank N Dirty Dubz label. There’s a brand new 3 track EP in the offing on LU10 this month, and he also has forthcoming releases on Depth Records and Illicit Trade, including the heavy roller above – ‘The Force’The brand new ‘Slug Proof EP’ is out now. 

In addition to that you can catch his regular radio broadcast every wednesday between 1pm and 2pm GMT (6pm-7pm EST in the US) via electrolouis.com

We asked what we thought would be a few routine questions to get to the man behind the music.

What was your first musical purchase?

My first musical purchase was a drum set.

Okay, great. Which is your favourite track in this playist? What does it make you think about? 

My favorite tune in the mix has to be Von D – Your the one, I love the jazzy vibes in it.

We’ve not seen you do many remixes – Is there anything you are keen to have a go at? How do you feel about the whole dubstep remixing trend? 

I am not really big on remixes because I prefer to write my own, remixes are fun to mess around with though. As far as the whole remixing “trend” I think some are good some are bad and some are people just doing it to try to get noticed.

What will be the next big thing?

I have no idea what the next big thing is, I just hope it sounds good haha

Whats the biggest animal you could throw over a crossbar?

What’s a crossbar?

Er.. Sooooo..

Transmit 3, incoming!

www.soundcloud.com/controlled-kaos-dub

Check out the Controlled Kaos Facebook Page – Free EP dropping at 500 likes!