Until Silence – That Shine b/w Hands Tied | RED010

Not ones for sticking to a particular genre or vibe, here at the Robot Bodypop we are feeling this cut from Until Silence which is on a deep house tip. His second offering on the mighty Pushing Red label and one of the strongest releases yet. ‘That Shine’ kicks off with pulsating kicks and a strong vocal commands your attention. ‘Hands Tied’ is straight up feel good house. A solid 4/4 keeps the momentum strong with soulful male vocals thrown on top. Smooth chords bounce with the deep bassline. Love this. Pushing Red is certainly doing all it can to stay a commendable label amassing a serious back catalogue.

Out now and available at any online music retailer worth its salt.

Until Silence

Pushing Red

ARP XP – Closer

Sometimes when choosing the selection for the Robot Bodypop show, you struggle to include everything we either find or get sent and when you get a gem like this album with 12 solid beats on it it makes it even tougher. But its one of them brilliant struggles if you dig? Simone Deiana is an Italian graphic artist and producer and his debut solo long player ‘Closer’ on French label IM:LTD is a banger. Meticulous attention to detail here makes these sounds incredibly exspansive and very tight. From the future D&B vibes of ‘Uneasy’ to the downbeat title track ‘Closer’ featuring Estel Luz words dont actually do this LP justice. Simply brilliant and refreshing.

Available on both Beatport & Juno

With a CD copy available from Triple Vision

2 Free Dubs

Just a couple of free tracks featured on the show this fortnight, both on a dubstep tip. Starting off deep, the first comes from Legend4ry with a remix for Sparc made back in 2010 which somehow never saw the light of day. With no prospect of a release he’s put it up for free download on soundcloud in all its glorious 320 kbps.

And lastly we step into some abstract filth from Posij, a crazy dutchman with a free EP entitled ‘Empty Lungs’ available from his Facebook page.  We featured the title track, but you want to make sure you check out the whole thing as its full of gold.

Reggae Roast – RR10

The 10th release on the vibrant UK reggae label sees ‘Show Babylon’ by Linval Thompson given the remix treatment. This collective thrives on providing uplifting vibes either in the series of releases or live at any number of festivals. This 4 track sees Dutch bassweight specialist TMSV on remixing duties alongside 3 dub and version cuts of this mighty track. Featured on this weeks Robot Bodypop show its yet another addition to a fine back catalogue and we’re already excited to see what comes out of release 11.

Hopefully you can catch Reggae Roast this summer as the 3 piece soundsystem takes to the road. Check out their website for more info

http://www.reggaeroast.co.uk

Tape Dubbing Records – Underground Manifest

Ukranian netlabel Tape Dubbing Records shines with their second volume of the Underground Manifest series. Showcasing some of Eastern Europes freshest talent this 22 track LP blends 2-step, dubstep, breakbeat and much more and it’s the quality of the productions that really hits you on the first listen. An incredible collection of indie bass music Tape Dubbing Records is throwing out there for free with artists such as Systemik, King Imagine and Choo New alongside a stack more. Be a good guy and give them some ca$h. Cop a copy from their Bandcamp page. Big fans of the Zaika cut, Sheeboo. Large.

Tape Dubbing Records

Transmit Sessions Vol 6 | Vaomm

Keeping with the summer vibe we’ve got going on this week, Siberian DJ and producer Vaomm takes a moment to talk to the Robot Bodypop and mixes up a 40 minute wonder filled with beats that are making him and his fellow Russians skank harder than the Kalinka.

Russia seems to be flourishing with some great producers. What do you think has influenced them into making underground bass music?

Ooh, I don’t know for sure, of course, this question is really personal, and I can just assume the main reasons or influences. From one hand, it can be kind of fashion, trend, of smth like that, cause all modern electronic music came from UK, and it can be “cool” to do stuff like they do. But, from the other side, it can be just a “call of soul”, if you know what I mean, and, I guess, there are more producers from the second variant, than from the first.

When making music, do you have an idea of what you want to make or do you go with the flow and see where you end up?

Mmm, sometimes I have an outlined concept in my mind, and simply try to take it out from my head to waveforms. Sometimes I have only an idea about melody, percussion or bassline, and build all parts of the composition on the basis of one part. But cause of my hard study in university, unfortunately, I have a little time for music, but I have lots of concepts, thoughts, ideas, hope to make them all soon.

What have your influences been, musically and otherwise?

Difficult question. You know, I’ve been listening to hip-hop for many years, and my favourite hip-hop groups and artists are Dilated Peoples (especially Evidence), Gang Starr, Tech N9ne (all Strange music label), Royce da 5’9”, and others. Sampling funk and jazz and soul…that makes a profound influence on me. Later, I’ve started to allocate bass and drums, these things lead me to dubstep sound with dark dirty vibes, like Skream, Kromestar, Silkie, and Deep Medi label. Here comes UK bass scene.
As for my music, I’m trying to catch everything I feel, see, hear and can pass through myself, that’s all 🙂

We like to keep the selection diverse on the Robot Bodypop show. How important do you think it is for people to try new things and create new sounds?

When you create something, you grow up and develop yourself. It doesn’t matter if it’s music, paintings, science or anything else. Creation is a movement, and movement is the most important thing in the life, I think.

Do you keep in close contact with your followers either at gigs or through social media?

Hahah, i’m open to everyone, but I want to say, that my parents, two cats, one dog, and a couple of friends, and that’s all, when I talk about my followers and it’s not so difficult to keep in close contact with them. 🙂

Tell us about the scene you’re involved in and how it works

So, i’m from Novosibirsk, it’s the city, which is called “The capital of Syberia”. Although, it has 1,5 mln population, there is a very weak bass scene here, bass producers can be counted on the fingers of one hand, I can allocate Pixelord (althouth he lives in Moscow, his roots come from my city), Melamin (Dubline Records), and, unfortunately, I can’t remember anyone else, except a couple of guys djs, who plays bass music during rare specific parties here, surely, most often it’s mainstream dubstep/dnb sound, but sometimes there are exceptions! Also, recently we’ve made some kind of community called NBD (nobody) Collective. It consists of me, Elmah and MO’ STRBLGHTZ, who presented me an exclusive dubplate, which I’ve put in my mix for your show.

Do you have an idea for a dream collaboration?

Of course! It will be great to collab with Swarms, Clubroot, Burial, Phaeleh, Synkro and others and others, but, it’s only dream 😉

Nice. Some of our favourite producers there.

Whats your favourite song in your collection and why?

There are lots of them in different genres, but at this moment, when i’m answering this question, the track, which I prefer to listen again and again, is Clubroot – Waterways, because of its deep, highly atmospheric and very melancholic sound.

Tell me about the best night you’ve played at and what made it memorable?

It was november 2011, I was one of the promoters of these party, it was called: “Bass to ya face, London!”, and all night there are a lot of djs playin the music from Britain streets like breaks, jungle, dubstep, etc. It was awesome, and there are many people, many happy smiles and good mood.

Whats the biggest animal you can throw over a crossbar?

What?…maybe my dog, lol